CATVA > MediumEntered answer:ā Correct Answer: 3Related questions:CAT 2020 Slot 1Five jumbled up sentences (labelled 1, 2, 3, 4 and 5), related to a topic, are given below. Four of them can be put together to form a coherent paragraph. Identify the odd sentence and key in the number of that sentence as your answer. Talk was the most common way for enslaved men and women to subvert the rules of their bondage, to gain more agency than they were supposed to have. Even in conditions of extreme violence and unfreedom, their words remained ubiquitous, ephemeral, irrepressible, and potentially transgressive. Slaves came from societies in which oaths, orations, and invocations carried great potency, both between people and as a connection to the all-powerful spirit world. Freedom of speech and the power to silence may have been preeminent markers of white liberty in Colonies, but at the same time, slavery depended on dialogue: slaves could never be completely muted. Slave-owners obsessed over slave talk, though they could never control it, yet feared its power to bind and inspireāfor, as everyone knew, oaths, whispers, and secret conversations bred conspiracy and revolt. CAT 2018 Slot 1Five jumbled up sentences (labelled 1, 2, 3, 4 and 5), related to a topic, are given below. Four of them can be put together to form a coherent paragraph. Identify the odd sentence and key in the number of that sentence as your answer. Translators are like bumblebees. Though long since scientifically disproved, this factoid is still routinely trotted out. Similar pronouncements about the impossibility of translation have dogged practitioners since Leonardo Bruniās De interpretatione recta, published in 1424. Bees, unaware of these deliberations, have continued to flit from flower to flower, and translators continue to translate. In 1934, the French entomologist August Magnan pronounced the flight of the bumblebee to be aerodynamically impossible CAT 2020 Slot 1Five jumbled up sentences (labelled 1, 2, 3, 4 and 5), related to a topic, are given below. Four of them can be put together to form a coherent paragraph. Identify the odd sentence and key in the number of that sentence as your answer. For feminists, the question of how we read is inextricably linked with the question of what we read. Elaine Showalter's critique of the literary curriculum is exemplary of this work. Androcentric literature structures the reading experience differently depending on the gender of the reader. The documentation of this realization was one of the earliest tasks undertaken by feminist critics. More specifically, the feminist inquiry into the activity of reading begins with the realization that the literary canon is androcentric, and that this has a profoundly damaging effect on women readers.