CATVA > MediumMarxism has internal contradictions due to which one strand of Marxism sees no merit in lyric poetry while another appreciates the alternative modes of perception in poetry.The focus of lyric poetry as personal may not seem compatible with Marxism. However, it is possible to envisage lyric poetry as a symbol of resistance against an oppressive culture.The focus of lyric poetry is largely personal while that of Marxism is bringing change in society. Unless the difference is resolved, poetry will remain largely utopian.Marxism makes unreasonable demands on lyric poetry. However, lyric poetry has its own merits that are largely ignored by Marxism due to its personal nature.✅ Correct Option: 2Related questions:CAT 2018 Slot 1The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage. The conceptualization of landscape as a geometric object first occurred in Europe and is historically related to the European conceptualization of the organism, particularly the human body, as a geometric object with parts having a rational, three-dimensional organization and integration. The European idea of landscape appeared before the science of landscape emerged, and it is no coincidence that Renaissance artists such as Leonardo da Vinci, who studied the structure of the human body, also facilitated an understanding of the structure of landscape. Landscape which had been a subordinate background to religious or historical narratives, became an independent genre or subject of art by the end of sixteenth century or the beginning of the seventeenth century.CAT 2017 Slot 1The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage. To me, a "classic" means precisely the opposite of what my predecessors understood: a work is classical by reason of its resistance to contemporaneity and supposed universality, by reason of its capacity to indicate human particularity and difference in that past epoch. The classic is not what tells me about shared humanity or, more truthfully put, what lets me recognize myself as already present in the past, what nourishes in me the illusion that everything has been like me and has existed only to prepare the way for me. Instead, the classic is what gives access to radically different forms of human consciousness for any given generation of readers, and thereby expands for them the range of possibilities of what it means to be a human being.CAT 2024 Slot 3The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage. When the tradwife puts on that georgic, pinstriped dress, she is not just admiring the visual cues of a fantastical past. She takes these dreams of storybook bliss literally, tracing them backward in time until she reaches a logical conclusion that satisfies her. And by doing so, she ends up delivering an unhappy reminder of just how much our lives consist of artifice and playacting. The tradwife outrages people because of herdeliberately regressive ideals. And yet her behaviour is, on some level, indistinguishable from the nontradwife's. The tradwife's trollish genius is to beat us at our own dress-up game. By insisting that the idyllic cottage daydream should be real, right down to the primitive gender roles, she leaves others feeling hollow, cheated. The hullabaloo and headaches she causes may be the price we pay for taking too many things at face value: our just deserts, served Instagram-perfect by a manicured and on a gorgeous ceramic dish, with fat, mouthwatering maraschino cherries on op.