CATVA > MediumThe Renaissance artists were responsible for the study of landscape as a subject of art.The study of landscape as an independent genre was aided by the Renaissance artists.Landscape became a major subject of art at the turn of the sixteenth century.The three-dimensional understanding of the organism in Europe led to a similar approach towards the understanding of landscape.ā Correct Option: 2Related questions:CAT 2024 Slot 1The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage. Certain codes may, of course, be so widely distributed in a specific language community or culture, and be learned at so early an age, that they appear not to be constructed ā the effect of an articulation between sign and referent ā but to be 'naturally' given. Simple visual signs appear to have achieved a 'near-universality' in this sense: though evidence remains that even apparently 'natural' visual codes are culture specific. However, this does not mean that no codes have intervened; rather, that the codes have been profoundly naturalized. The operation of naturalized codes reveals not the transparency and 'naturalness' of language but the depth, the habituation and the near-universality of the codes in use. They produce apparently 'natural' recognitions. This has the (ideological) effect of concealing the practices of coding which are present.CAT 2018 Slot 1The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage. Production and legitimation of scientific knowledge can be approached from a number of perspectives. To study knowledge production from the sociology of professions perspective would mean a focus on the institutionalization of a body of knowledge. The professions approach informed earlier research on managerial occupation, business schools and management knowledge. It however tends to reify institutional power structures in its understanding of the links between knowledge and authority. Knowledge production is restricted in the perspective to the selected members of the professional community, most notably to the university faculties and professional colleges. Power is understood as a negative mechanism, which prevents the non-professional actors from offering their ideas and information as legitimate knowledge.CAT 2020 Slot 3The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage. Aesthetic political representation urges us to realize that 'the representative has autonomy with regard to the people represented' but autonomy then is not an excuse to abandon one's responsibility. Aesthetic autonomy requires cultivation of 'disinterestedness' on the part of actors which is not indifference. To have disinterestedness, that is, to have comportment towards the beautiful that is devoid of all ulterior references to use requires a kind of aesthetic commitment; it is the liberation of ourselves for the release of what has proper worth only in itself.